Today's Zen Story / Yesterday's Commonplace Book

1. Today's Zen Story

I actually calculates the basics of my federal taxes back in January because I needed to get some numbers for a financial aid form. I found that I owed around $850-900. While I've owed that much before, this was particularly disheartening / panic-causing / traumatic / thwarting / depressing because I thought I'd finally gotten my withholding figured out at this point in grad school, when I wasn't freelancing, and so on. That was not a particularly stellar evening, to say the least. At the time I decided to take my dad's advice and just not think about it for a few months, keeping the money in the savings side of my checking account until April.

I revisited my taxes today, and, perhaps needless to say, I had to work through a lot of aversion to get there. Even when I finally sat down at my desk, I was procrastinating like mad, and I would stop every few questions to go through all the usual internet places: Gmail, Facebook, Twitter, my Not-NYU email account, Nerve (yes, alas). Since I hadn't figured out the exact tax back in January, I didn't know exactly what I was in for. And it wasn't encouraging to see that I'd made an adding error in my income that had it *under* by $100.

And then I realized that I'd missed one of the personal deductions, so that I'd calculated my income as several thousand dollars *over* what it actually was and was thus looking at the wrong tax table altogether.

I still owe a few hundred dollars (and I can't get the NYS forms to work on my computer, so I have to wait until Monday for that), but it's about $500 *less* than I thought it was going to be, than what I've been assuming and stressing out about for the last two months and change.

I can't even really describe the sense of relief, not unalloyed by sheepishness, that I'm experiencing.

2. Yesterday's Commonplace Book

"Already how am I so far
Out of that minute? Must I go
Still like the thistle-ball, no bar,
Onward, whenever light winds blow,
Fixed by no friendly star?

--Robert Browning, "Two in the Campagna"

In resisting idolatry, is the reluctant lover protecting himself against illusion? Or in looking for intimacy without risk, is he losing part of his soul? Because the heavy caesuras match the lover's halting heart, they contradict his boast of confronting no obstacles or barriers. Since the words that appear to lurch forward over the line endings are brought short by early-breaking caesuras they also inadvertently disclose to the attentive reader far more than the lover intends to say.

--W. David Shaw, "Masks of the Unconscious: Bad Faith and Casuistry in the Dramatic Monologue"

Also from Shaw:

But the despair of the jilted lovers in Maud and "Locksley Hall," like the anguish of St. Simeon decaying by slow degrees on his pillar, is a mere pretense. Such speakers act out a fantasy of anguish in order to escape genuine despair.

Thoughts on a day that was less productive than I would have liked

Enlightenment and clarity of the mind occur only in response to the sustained effort of study and practice. Endeavoring in the way ripens the conditions of your practice. It is not that the sound of the bamboo is sharp or the color of the blossoms is vivid. Although the sound of the bamboo is wondrous, it is heard at the moment when it's hit by a pebble. Although the color of blossoms is beautiful, they do not open by themselves but unfold in the light of springtime. Studying the way is like this. You attain the way when conditions come together. Although you have your own capacity, you practice the way with the combined strength of the community. So you should practice and search with one mind with others.

A stone is turned to a jewel by polishing. A person becomes a sage by cultivation. What stone is originally shiny? Who is mature from the beginning? You ought to polish and cultivate yourself. Don't diminish yourself. Don't be lazy in your study of the way.

--from Enlightenment Unfolds: The Essential Teachings of Zen Master Dogen, trans. Kazuaki Tanahashi

I think I am slowly learning things about myself, belatedly, perhaps, about the way I work, about the knots that I will have to untie. I ran myself ragged in my teaching week--Tuesday I was "going" for about 18 hours--woke up at six as usual, then teaching, looking at drafts, going back to Brooklyn to run errands then go to the gym then do laundry, then look at more drafts, answering personal emails then finally sleeping a bit after midnight. Wednesday it was hard to do anything except sit zazen and have lunch. Thursday was much like Tuesday, without the gym and with seeing Caroline later. I have three major, unbreakable deadlines next week in addition to all the teaching stuff. While I haven't exactly pissed away the last two days I don't think I've exactly rocked them either. I understand that I need to rest. I'm not sorry I had some time to myself finally. And yet--

I miss D. Already. It's stupid how fast I got used to seeing him regularly--even when he went upstate, I'd seen him Thursday, but nothing this weekend, not even an email since Thursday. I know he's going through a lot--more than I can imagine--and yet...I miss him. I missed having someone here, just to break up the work. I think I have sort of a base level of productivity for a weekend, and it would be nice to see him. It's much easier to be self-sufficient during the week; I feel like the writing I'm doing would be more interesting if I had somehow been able to be in his presence. We talked on the phone a bit Thursday night. It was the first time I ever called first. I know he's just going through a lot. I wish we'd made firmer plans. I'm not obsess-y, yet, really, not like I was with J., but still...I get unsettled. I start to doubt. I start to overcompensate for the doubt. This time, I can see it happening. I've tried to sit with it. I've tried to walk with it. I've tried to write with it, to read Dogen with it, to cook with it, and to drink mediocre white wine that I will not be purchasing again with it. And still. Jittery. Spending so much energy calming down my own restlessness and gnawing loneliness that I can't do anything. Feeling the edge of missing The Poet. And it's not like we even had plans--it's just...I get used to good things fast. I know that in some sense I always wish I could start in the middle, skip this part. I said this with J., too: I'm fun on a first date and I'm a very good girlfriend. I am horrible at the part that comes in between. I'm trying to be careful with him. I am trying to sit with this, to do the nonattachment thing, to not invite all the usual worries to sit down to tea with me. My apartment's pretty damn clean. I made a good dinner tonight. I had some inspiration yesterday, but my classes for the week are not prepped, the MLA abstract due on Monday is not finished, the statement of interest for fellowships that I am not interested in but must apply for anyway by Wednesday has very few complete sentences in it, and the paper I am giving on Friday will be fine by then but is not fine now.

Perhaps needless to say, I will be going to school tomorrow to try to deal with all this somewhere other than my apartment.

And I guess I'm learning something about myself. At least I can see it all happening now, and not completely confuse some of my work/life balance issues with either being madly in love with someone or rejected by that same someone.

I hope this all works. And I kind of hope he calls me first tomorrow. I think we really complement each other and that I could be much shinier with him around. But I worry that I'm going to trip over his neuroses, or he mine. And that's a hard place to start from.

I do think I must like him, though. For what that's worth.

Saturday thoughts

"For it is with this world that we shall always have to concern ourselves: the world is not to be learned and thrown aside, but reverted to and relearned." -- Browning, "Essay on Shelley"

This might be the year we all become famous. So far, I've had two friends' shows get fantastic (and well-deserved) reviews in the NY Times Arts section. Another friend is in what's apparently a major off-Broadway revival of a classic play. Yet another is having a play he staged several years ago (and which, at the time, I thought was one of the very best things I'd ever seen) mounted at another major off-Broadway theater. And, though it's not quite as big or artistic as these, I'm about to have my first article published in a major (in my field) academic journal.

Yes, this might be our year, as the world begins to collapse, no longer just the crumbling around the edges that we noticed for years before. (What happened in my hometown just over a year ago now becomes readable as a kind of harbinger, a very particular kind of despair--half-triumphed-over in the election of Obama, but also lingering unredressed.) It's a strange precipice. At times it feels sublime, but then again everything does if you stare at it long enough to let your eyes unfocus. Which I almost have to do when I stare at the parts of the NY Times that are not the Arts section, when I think about the post-May future, trying to inhabit moments of wall staring meditation. I've been doing these intensive cardio workouts that have me at the gym for nearly an hour and a half. Yesterday it was treadmill / elliptical / then back on the treadmill. I don't even read magazines there anymore; it slows me down. Sometimes podcasts. San Francisco Zen Center and The Moth. Or music, but so much of what is on my iPod isn't particularly helpful for keeping up the pace. I'm not sure why I started doing this, but I do know that I was furious when I ended up not being able to do it on Thursday--going to the gym only to find all the machines taken, waiting around until they were supposed to be free and having my face lied to instead--I snapped like I haven't snapped in months--a kind of sputtering and shaking and all this stored energy of pulling myself through the exhaustion of a teaching week comes out on the Nevins Street subway platform and I hold myself to myself and try to make it home but everything's slow and it's one of those nights where I hate Brooklyn or more specifically being poor in it, though eventually some beer (Karma Ale, natch) and spontaneous company pulls me back up--that and a phone call from D., as he drove home from some show in East Williamsburg.

My days are busy but more or less stable otherwise; it's my dreams that are ominous. I had hoped that the cardio workouts would help me sleep better, especially when I want to go to bed earlier before days I teach. I thought I would crash at 10:30 on Wednesday night and instead am up using the bathroom at 11:15, 11:25, and 12:04. I wake up at 5:00 on Thursday morning after an intensely realistic dream in which I lose my keys and engage in an extended and somewhat violent self-recrimination. This morning, only half sleeping with D. in the bed next to me, I start yelling at security guards at some airport-like checkpoint for entry into not-NYU, complete with metal detectors and no one will tell me where to go....this afternoon, napping on the futon in the sun, I am staring at my torn-up face in the mirror and I don't know what happened. I am afraid that this is anticipatory deja-vu; otherwise I am happy and solid and working (kind of--I've been tired today and just trying to get my bearings again after the intellectual sinkhole of Tuesday-Thursday and living for others) and it's getting lighter earlier and staying lighter later and I don't understand why I sleeping to scream.

We both have trouble sleeping, and these problems have been intensified the three times we've shared a bed. I worried a lot, in that first year after breaking up with The Ex, that I was going to lose the ability to share a bed with someone else. Even now when I'm alone I tend to sleep only on one side of the bed, nearly falling off the edge. And it's true that I don't sleep especially well with other people. Of course you're only going to sleep fitfully on a one-night stand, and it occurred to me today that, up until last Thursday when I went to D.'s house, the last time I'd been in someone else's bed when it wasn't a one-night stand was with K., right before I moved to my current apartment. I never slept particularly well with E (the lawyer) or The Poet. D. is actually somewhat easier, at least to the extent that he doesn't snore and I can at least doze a bit when I'm really close to him, which tends not to be the case with a lot of other people. And the thing is--I like having him here, I like being with him at his place. Even the exhaustion has its sweetness, though of course this is of somewhat limited utility. He's possibly the first person I've wanted to sleep well with me.

I watch him move, I watch him interact with other people. Some of it I understand. This kind of cultivated unpredictability--I start to wonder where it comes from. I admire it. I wish my mind could move that quickly, could make these kinds of jumps. There's a softness to it. It's not the Shelley-esque assault that The Ex used to perpetrate--he's never out to annihilate the other person. But there's so much about it that seems opaque to me right now. I suppose this is okay. It's hard to remember that we've known each other for basically three weeks. Four dates, three nights spent together, one brunch and a walk in Prospect Park. If we make it to Spring Break, I'll turn off my Nerve profile. I want to believe that we could work and write together--not collaboratively, necessarily, but simply that we could find each other's company in a shared space helpful as we work on our very different projects. Could we hope to work in the same room if we can't sleep well in the same bed? I don't know. In some ways he seems incredibly young (he's about six years older than I am, which makes him younger than The Ex and there's no point in talking about either K. or The Poet in this context)--this is both exhilarating and terrifying. At some point I will have to tell him the things I haven't yet.

I want to write a story or a poem about using numbers as metaphors.

My brother sent me a bunch of drunk text messages from the Mardi Gras parade in St Louis. In retrospect, I realize he was doing this because my SIL probably didn't want to hear it while she was at home and pregnant and certainly my mother's not interested. I hadn't realized it was that time of year. No doubt my Catholic grandparents would spin in their graves to know that their Protestant granddaughter would be going to a Buddhist zendo on Ash Wednesday. But one thing that practice has allowed me to do as of late is appreciate certain kinds of Christian rituals from a slightly more formal standpoint and I find the idea of Lent to be kind of compelling right now. Not so much in the renunciation department. While I've certainly cut back on drinking lately, I'm not interested in a vow of sobriety, nor am I interested in becoming vegan for a month or giving up caffeine. (These being the sort of stupid and decontextualized ways that we talked about Lent in the church youth group.) What I find appealing is the intention to clear a space in your life to allow something else to come in--something as unexpected, perhaps, as the resurrection itself. Spring cleaning in the being-human guest house, to distend a metaphor from Rumi. It's possible that I've started that work a bit early this year; I want to take the opportunity in the next couple of days to form that work into a more deliberate intention. And all of this seeming especially powerful since the period of Lent (if we're meteorologically fortunate, of course) takes us from winter into spring--a sense that this space may potentially get easier to maintain as each day passes, that we can look back over this period of weeks and see a progressive loosening of tensions, relaxing of preconceived notions, letting go of distractions.

Something like that is my prayer for the next few days.

In the archive of the evanescent

"...a certain silvery grace of fancy, nearly all the pleasure of which is in the surprise at the happy and dexterous way in which a thing slight in itself is handled. The sweetness of it is by no means to be got at by crushing, as you crush wild herbs to get at their perfume....A sudden light transfigures some trivial thing, a weather-vane, a windmill, a winnowing-fan, the dust in the barn door. A moment--and the thing has vanished, because it was pure effect; but it leaves a relish behind it, a longing that the accident may happen again." -- Walter Pater, "Joachim du Bellay," from The Renaissance

It's probably a travesty of modern literary studies that people think that all you have to read of Pater is the Introduction and Conclusion to The Renaissance. This last line to me seems to be worth a hundred gemlike flames and I'm not sure we understand that either.

A few days into our correspondence, I told him that I was writing a secret dissertation motivated by the question of walking on water. This is true. It has already developed here, it is still developing--and I am slowly, belatedly, beginning to find it everywhere in Browning. It is the place where my life and my work--very long estranged, breached by teaching and other alienations--strain back to touch each other, promising the kind of coherence that I used to take as a kind of birthright, back when life looked a lot easier because we didn't know a damn thing about it. It's something with moments, like the Browning sonnet I posted last month, to get beyond asserting and against...I am sitting at my desk right now and looking at the quote I wrote out from Zen Mind, Beginner's Mind a few months ago, the quote about "losing its balance against a background of perfect balance." The right to a beginner's mind not entirely recognized where I am, except in matters that are convenient to others. (A brush with triggermemories of the Worst Job I Ever Had this morning reminds me that I will never volunteer to organize an academic conference if I can help it.) And yet. Finally clearing spaces, a few at least, and this is all I can do for now. Withdrawing from the world, from excuses to spend money taking car services instead of just walking in silence, a withdrawal from talking to people all the time so that I can come back to my archive of the evanescent, to start thinking again.

"And what does the spirit need in the face of modern life? The sense of freedom....For us, necessity is not, as of old, a sort of mythological personage without us, with whom we can do warfare. It is rather a magic web woven through and through us, like that magnetic system of which modern science speaks, penetrating us with a network, subtler than our subtlest nerves, yet bearing in it the central forces of the world. Can art represent men and women in these bewildering toils so as to give the spirit at least an equivalent for the sense of freedom?" -- Pater, "Wincklemann"

Bonus epigraph, for something

Already how am I so far
Out of that minute? Must I go
Still like the thistle-ball, no bar,
Onward, whenever light winds blow,
Fixed by no friendly star?

Just when I seemed about to learn!
Where is the thread now? Off again!
The old trick! Only I discern—
Infinite passion, and the pain
Of finite hearts that yearn.

--Browning, "Two in the Campagna," stanzas XI and XII

Citational: from J. Hillis Miller's The Ethics of Reading. Also other things.

It is impossible to get outside the limits of language by means of language. Everything we reach that seems to be outside language, for example sensation and perception, turns out to be more language. To live is to read, or rather to commit again and again the failure to read which is the human lot. We are hard at work trying to fulfill the impossible task of reading from the moment we are born until the moment we die. We struggle to read from the moment we wake up in the morning until the moment we fall asleep at night, and what are our dreams but more lessons in the pain of the impossibility of reading, or rather in the pain of having no way whatsoever of knowing whether or not we may have in our discursive wanderings and aberrancies stumbled by accident on the right reading?

...there's something almost comforting about old-school deconstruction on a grey Saturday afternoon.

Yeah, so. It's been awhile. I guess the short version goes something like this: there was the week where all I did was sleep and do the minimum I needed to do to get through teaching. And then got the stomach flu. And then there were some more disappointments, and a large-scale freakout about my brother's wedding, but more about the fact of my attending by myself and feeling like an enormous loser for it. But then snapping out and finishing the damn prospectus, save for another nip and tuck revision and possibly the addition of a paragraph.

There was the night The Poet and I went to Hoboken and made up stories about alternate lives for ourselves. There was the brunch I went to where I ended up having one of those conversations where some dude who is not a literary scholar tries to tell me how to do my job as a literary scholar and you can tell that he mostly feels authorized to do it because he's a dude and you're not. Extra bonus points for his being the older brother of someone who I had a very awkward night with at one of the absolute low points of last December. Though I don't think he knew that.


I did midday zazen at the Village Zendo last Wednesday. Just an hour of sitting. Amazing. I'm going to try to make that a weekly thing.

And today I've been reading, mostly. Which has kind of been nice, though not as nice as seeing J. Who I haven't seen for like two weeks. Again. But how do I tell him that he needs to work harder to get me away from The Poet?

I've been thinking a lot lately about the idea of being kind to oneself. And about how much of what I allow to pass as a kindness to myself (often in the form of drinking, several hours at a time of stupid television, poor food choices) are really not kindnesses at all but indulgences that redouble my own reasons for being unkind to myself.

I've been having fun with my students. It has been amazingly fun teaching them a text that I love. At least the ones who are actually doing the work.

I bought the latest Bob Dylan album, Tell Tale Signs, off of iTunes a couple weeks ago. (An unusual event in my world.) It's amazing and you should download it immediately. I have been doing this thing where I listen to the version of "Most of the Time" that's on this album and then listening to the Sophie Zelmani cover from the Masked and Anonymous soundtrack right afterwards.

I got my travel zafu in the mail this week. It's basically a beach ball with a cloth cover. But it's kind of awesome. I'll also be bringing Xanax to Indiana with me because even though I'm not as actively stressed out by the wedding as I was last week at this time (and boy was I rocking the word vomit at this one party--I'm sure anyone who's seen me in the last ten days, my students included, is tired of me talking about hits), I still think it's better to be safe than drinking too much and saying something unintentionally nasty or angry.

I've been practicing with what it means to trust the present, to trust others, to trust myself. What I think made that midday zazen so great for me was that I realized, most of all, that I could trust my posture, that I could trust myself to know how to sit, that what I did at home was also what I was doing there.

And I'm trying to believe that I don't have to be my own worst enemy.

"Meet them at the door laughing..."

This being human is a guest house.
Every morning is a new arrival.

A joy, a depression, a meanness,
some momentary awareness comes
as an unexpected visitor.

Welcome and entertain them all!
Even if they're a crowd of sorrows,
who violently sweep your house
empty of its furniture,
still, treat each guest honorably.
He may be clearing you out
for some new delight.

The dark thought, the shame, the malice,
meet them at the door laughing,
and invite them in.

Be grateful for whoever comes,
because each has been sent
as a guide from beyond.

--Rumi

Virtual bookmarking--Bataille on erasure

I'm copying this as it's quoted in Writing and Difference (266) so I don't forget to go find it in Inner Experience when I take up Tennyson again. Just go with me here.

If one goes to the end, one must erase oneself, undergo solitude, suffer harshly from it, renounce being recognized: one must be there as if absent, deranged, and submit without will or hope, being elsewhere. Thought (because of what it has at its base) must be buried alive.

Mostly better today. Brunch with The Professor and working at school. I think I've been more productive in the last hour today than I was all of yesterday.